Wednesday, July 19, 2017

DIY Watercolor Pallette

I love using watercolors but I've found that I keep reaching for my pan watercolor sets because they are so easy to use. This meant that this pile of watercolor tubes was getting neglected and I can't have that!


While I already have premade pan sets, I liked the idea of going through my tube watercolors and making a palette of my favorite colors. I bought this Meeden palette with 24 half pans, because I didn't want to limit my colors. 


I first narrowed down my colors. I found that I have double of a lot of these Grumbacher tubes, which means I never checked my supplies before buying the set again... While these are student grade paints, they do make up the bulk of my basic and traditional colors. I choose Grumbacher Sap Green, Viridian, Thalo Blue, Ultramarine Blue, Burnt Sienna, Yellow Ocher Hue, Yellow Pale Hue, Cadmium Yellow Deep Hue, Cadmium Red Light Hue and Alizarin Crimson. 


I had a few more blues and reds of these Winsor & Newton tubes, but narrowed them down to these favorites. These are Winsor & Newton Ivory Black, Winsor (Dioxazine) Purple, Manganese Blue Hue, Quinacridone Red, Opera Rose, and Permanent Rose. 


Daniel Smith! I totally splurged on these. I bought the Quinacridone Gold and the Primatek set, which is made of Piemontite Genuine, Hematite Genuine, Mayan Blue Genuine, Jadeite Genuine, Rhodonite Genuine and Amethyst Genuine.


I had previously switched out all these colors, so I used those to make a master swatch set in my Get Messy Season of Colour journal. 


Once I had the colors in order I gave each tube a half pan and wrote the name of the color on the side of the pan.


This way, if I ever need to refill the pan, I know the color!


I found the paint came out much easier when I held onto the end of the tube and pushing the paint into the corner of the pan. 


I went around filling the pans this way until almost full. I wasn't concerned with fully filling the pans or making them perfectly flat on top. 


The process went by pretty quickly once I got the technique down. It was interesting to make note of which colors where more thick in consistency and I wonder if it has to do with the pigment used. 


I noticed some pretty quickly stated to dry on the top, especially the Daniel Smith ones. I'm letting them dry in the palette because I don't want to worry about dust drying on top. 


Once I had my pans filled I spent some time color mixing. The page on the right is figuring out the debate between the traditional primaries of Yellow, Red, Blue or the primary set our printers use, Yellow, Magenta, and Cyan. The Yellow for both sets is Grumbacher Yellow Pale Hue, the Red is Grumbacher Cadmium Red Light Hue and the Blue is Grumbacher Ultramarine Blue. For Magenta I used Winsor & Newton Permanent Red and Cyan is Grumbacher Thalo Blue. 

I first did a straight mixing of the primaries going across and then mixed the secondary colors as well. The YMC primaries defiantly give you the brighter, more traditional secondaries and it was interesting to see just how different they are. 


This will probably become the set that I travel with. I can even add some more half pans to the center if I ever pick up some more tube paints. 

Tuesday, July 4, 2017

Floral Collaboration Journal

It seems like every year I judge the passing of time by what flowers are blooming. Crocus in February, lilacs in April, irises in May, lilies in June and July. Our hydrangeas and roses start in June and can bloom all through November. So when Flowers was agreed upon for a new collaboration art journal, I was so excited to get started.

Today I'm sharing the cover of a new journal and my inside spread. Honestly, I never know what to do with art journal covers, so I treaded this one like it's own spread.


These are both using images I've been holding onto. I found the girl in the floral dress and what better than to just surround her in flowers and add a quote from The Secret Garden.


This journal is now with Julia and then will be on it's way to Alicia and Marie.

Wednesday, May 17, 2017

Get Messy Contrast - Weeks 4-6

The end of Season of Contrast turned into a surprisingly creative three weeks. I got inspired by some quotes and the great tutorials, so I really enjoyed making these spreads.









This spread (above) was made during a Get Messy Google hangout where we played a roulette style game to see what we were going to do next on the page. It was so much fun and I was so inspired, that the following pages were all made the same day using that creative energy. 









Now that we have a few weeks break between seasons, I have some old books I want to take apart to make in journals and during one sunny weekend I want to marble a ton of paper outside. 



Friday, April 21, 2017

Get Messy Contrast - Weeks 1-3

It's felt like these last three weeks have flown by. It's been busy over hear in my little art area (we're also within the first 20 days of the #100dayproject), so I'm grouping together the first three weeks of the Season of Contrast with Get Messy Art Journal. This season our guest artist/teacher/mentor is Amy Maricle and I've really been enjoying her prompts and I'm using those as a way to turn art journaling into a form of meditation. I find it's making it easier to let go of my inner critic.

Week 1





Week 2





Week 3








Spreads in progress










Wednesday, April 12, 2017

Colour Blast - Purple

Purple is a color I'm very comfortable with and use often. So for this color blast journal, I thought I'd keep the spreads more minimalist so that the purple really stands out. Purple is a color associated with royalty, enlightenment and femininity, so I tired to keep these in mind while working on the pages.




               

  Color blast is a collaborative art journal project and we're now about halfway through! Don't forget to check out the other journals: Vanessa, Julia, Lauren Brown, Lauren Blood, Riet, and Moriah.